The Perfect is the Enemy of the Ish

Dad and BuriedA fortyish dad dealing with the trials and tribulations of being a two-time father. And simultaneously learning to live without a social life. Like Elton John said, this thing's a circle. I'm getting used to it, but that doesn't mean I'm always happy about it.

Learning

I can’t draw. I’ve never been able to. But, one day back in elementary school, I got lucky. I drew a horse, and it actually looked like a horse! It was glorious.

But the tail wasn’t quite right. So I erased that part and tried again. But that one small revision screwed up the horse’s hind legs. So I erased them and re-drew that part too. This time the entire back half of the horse was smudged so I was forced to continue with what soon became an entire overhaul of my once beautiful steed.

By the time I was done fixing its tail, my horse – to this day the only good drawing I recall producing in my ENTIRE life – was destroyed.

I wish I’d read Ish before I drew that horse.

Let me explain.

Before I left for Vegas and CES, my wife told me to be sure to bring back a souvenir. I was at a loss – there is just nowhere in my son’s room to hang the framed picture of my lapdance! Luckily, at the Social Media Club‘s party on my last night at the conference, I met Peter H. Reynolds.

Peter H. Reynolds is (from his website): a “children’s book author, illustrator, bookshop owner, founder of FableVision… and an advocate for creativity and children of all ages.” He was at CES to demonstrate a new version of his Animation-ish software that comes pre-loaded onto with Lenovo’s upcoming Horizon table PC.

Remember the Etch-a-Sketch Animator? It came out around 1986 and boy did I want that toy! I was dying to make the animated movies out of my Etch-a-Sketches that this commercial made look so easy.

Unfortunately, using the toy was less like “playing” and more like “working in an animation sweat-shop.”

Basically a “high-tech” flip-book, it required that you draw something with an Etch-a-Sketch (good luck!) then duplicate that drawing multiple times, with slight variations in each new version. Seeing as it takes four months to make a convincing stick figure with an Etch-a-Sketch, this process took ten years and the ability to withstand carpal tunnel. But once accomplished those steps, provided you still had time now that you were in college getting your official degree in masochism, then you had to save your drawings via the primitive little computer within the toy and, eventually, animate your collection into a five-second movie. Presumably about stick figures.

FableVision’s software works the same way as the Etch-a-Sketch Animator except, thanks to the ongoing trend towards touch screens, kids can use their fingers instead of those hellish little knobs. Combined with the Horizon’s enormous screen it makes for a much easier, and infinitely more enjoyable, experience. Even if you can’t draw.

As made clear in his book, Ish, Reynolds’ philosophy on art and creation is quite forgiving. The emphasis is on the act and joy of creating, not on the result, so inspiration and enjoyment count for more than exactitude and replication. Art isn’t about getting it right; this isn’t math. Art is about getting it “right-ish.” To this once-frustrated horse-drawer and current father, that sounded like a great lesson for my son, and one I wish I’d learned as a kid: “The perfect is the enemy of the ish.”

So I decided to bring home a copy of Ish as his souvenir, personally signed by the author with a cute little drawing beside his autograph.

Maybe if I had read the book as a child I would have ended up with a drawing I could be proud of. But I didn’t.

I mutilated that little horse so badly that by the time I was finished there was nothing left but glue.